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HOME : Pre-Columbian Art : Mayan Musical Instruments : Mayan Whistle in the Form of a Bearded Man Standing with his Arms Open
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Mayan Whistle in the Form of a Bearded Man Standing with his Arms Open - CK.0622
Origin: Mesoamerica
Circa: 300 AD to 900 AD
Dimensions: 6.25" (15.9cm) high x 5.75" (14.6cm) wide
Collection: Pre-Columbian
Medium: Terracotta

Location: United States
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The Classic Maya period was an age of profound intellectual and artistic achievements, when the Maya built monumental pyramids and magnificent urban centers in homage to their gods. At a time when the Western world languished after the fall of the Roman Empire, the New World experienced an age of imperial grandeur, when great city-states like Tikal and Copán proclaimed Mayan hegemony over the emerald forests of Mexico and Guatemala. Theirs was a sophisticated but startlingly brutal civilization— wars were waged not for land or prestige, but for blood, for slaves sacrificed atop the great pyramids to appease the god’s insatiable lust for human flesh. The Mayan world was an arcane realm where the earth was contiguous with the heavens and the underworld. It was a society infused with spiritualism, a society that reflected both the majesty and savagery of the rain forests. Like the ancient societies of the Mediterranean, ceramic forms were vital to the Mayan economy and traded alongside coveted resources such as Jade, obsidian, flint, and shells.

The Maya believed the universe was divided into three parts: the Over world (heaven), the Middle world (the world of humankind), and the Underworld (hell). All three were considered interconnected and accessible through "doorways", or through Shamanic ritual. It was believed the Underworld could be entered through a cave or through bodies of standing water, such as a lake or ocean. To comprehend the nature of these three worlds and the beings that inhabit them was important to daily life of Maya society.

Mayan art was composed of a complex symbolic language with deeply important social functions. Mainly commissioned by kings and other elite figures, works of Mayan art fulfilled both political and social purposes. Because the art functioned as a type of language, to be understood by the entire population, a certain consistency in subject matter and its portrayal was necessary. Whether on a cylinder vessel or a great mural, Maya art essentially depicts ritual. The impressive Maya ceremonies, recorded for posterity in their art, were crucial events in the lives of the kings, and consequently important to society as a whole. In Maya believe, an actual ritual ceremony is directly connected with the art which represents it; both conceived of as a power process that transformed spiritual beings into corporeal beings on the human level, and allowed people and objects to become the sacred beings they represented.

In the 9th and 10th centuries AD, the productivity of the southern regions went into decline for reasons that are still uncertain (although ecological causes are the likeliest option), although the northern areas continued to flourish on a reduced scale until the arrival of European forces and the subsequent decimation of Native American cultures across both continents. What is left, however – particularly dating to the Classic Period – includes art and other achievements that many consider to be the most refined and beautiful of the ancient New World. Stucco, mural painting (notably with the use of “Maya Blue”, the secret of which has been lost since the 16th century) and sculpture were all of an astounding quality and naturalism, with some sophisticated expressionistic tendencies.

Originally, scholars once believed that such whistles were essentially toys. Perhaps their figural quality reinforced this misconception. Once such whistles were believed to be simple signaling objects or items for children to play with. However, recently, scholars have begun to realize the true importance of these whistles. When tombs were excavated containing over a dozen such whistles buried next to a ruler, suddenly historians confronted the fact that they were not dealing with playthings. In fact the various whistling implements of the Pre- Columbian Americas are as diverse as they are technically advanced. This whistle is essentially a sculpture with a whistling leg attached onto the back. Today, Mayan scholars believe that whistles, and music for that matter, played an integral part of Mayan religious ceremonies. This whistle might have sounded its tone in order to commemorate the deceased during a funeral procession. Thus, the work would have been buried alongside the body upon arriving at the grave. This is just one of the theories that attempts to explain the significance of such musical devices. Although no written records survive detailing the significance of these whistles, the works themselves are an ample testimony to the craftsmanship and technical mastery of ancient Mayan sculptors and instrument makers. - (CK.0622)


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